Doctor Brandon Bernstein is a performer and educator living
and working out of Los Angeles. Having studied at the Berklee College of
Music, Concordia University
in Montreal, the University
of Louisville and the University of Southern
California, Dr Bernstein is now sharing his vast wealth of
guitar resources with students at Pasadena
City College
and Cypress College in LA.
As well as being a highly regarded performer
and teacher, Dr Bernstein also writes articles and reviews for Just Jazz Guitar
and Jazz Improv magazines, and has presented papers at two International
Society of Music Education conferences.
Dr. Bernstein sat down with me last week to discuss the
challenges and rewards of teaching guitar in the 21st century.
MW: How did you get your start as a guitar teacher?
BB: I first began teaching guitar while attending college. It started with a few of my colleagues from
the school wanting to take lessons with me. I loved it immediately. I continued to teach privately during my
undergraduate degree. When I began
graduate school, I received a teaching assistantship and began teaching
formally. I realized what a positive
impact I could potentially have on students as a teacher. In graduate school I knew that I wanted to
have a complimentary marriage between teaching and being a performing musician
as a living.
MW: Did any of your teachers have an influence on your
private teaching approach?
BB: All of them. I
learned as much from the bad teachers as the great ones. The great teachers have a way of making you
feel completely inspired after every lesson—even in the midst of critique.
MW: How has going through the process of getting a DMA
affected your teaching approach? Has it
changed the way you approach your teaching methods?
BB: Pursuing my D.M.A. was an amazing experience that taught
me a lot about teaching. During the
degree process, I taught a lot of classes and private students for the school. Each semester I continued to grow as a
teacher, learning and absorbing from both my mistakes from the previous
semester and what I may have done right. (I feel sorry for the students that had me my
very first semester as a teacher—they were my guinea pigs). I also took high-level classes dealing with
teaching philosophies, sociology, music psychology, and pedagogical methods
that helped me immensely.
MW: In your opinion how has technology, especially the
internet, changed the landscape of guitar education in recent years and where
do you see it headed in the future?
BB: There are so many resources available on the internet
and they just keep growing. Lessons,
transcriptions, videos, music, live streaming—you name it, the sky is the limit
to what is now available. It is getting
to the point where one does not have to travel to take a lesson with a teacher
or one of their heroes; you can now have an interactive lesson with a video camera
and a high-speed internet connection. In
the midst of so many resources, students must be careful not to become
overwhelmed. It is still better to take
one idea and get a lot of mileage out of it, then to have ten things to learn
and just barely scratch the surface on each item. Although the internet is an extremely valuable
tool, nothing can take the place of having a one on one lesson with a great
teacher.
MW: You are such an experienced and accomplished performer
as well as an educator. How has your
teaching experience influenced your performing and vice-versa?
BB: I learn as much from my students as I hope they learn
from me. Teaching helps to reinforce
your methods and practices into your playing. I am also learning the power of how both music
and teaching can really have a strong impact on the growth of other people. I believe that a large part of life is the
positive impacts we make along the way—both performing and teaching can move
people profoundly.
MW: What advice do you have for people who are just starting
to teach guitar?
BB: Be patient and open-minded. Seek knowledge from all people and sources and
try not to let your ego get in the way. Strive
to be a great teacher, to make a long lasting impact on each student. Our main goal as educators should be to
enhance the love of music in each one of our students.
MW: What advice do you have for students when they are
looking for a private teacher?
BB: Seek some great local players and ask them whom they
would recommend. Know ahead of time what
you are looking for and don’t be afraid to ask lots of questions. Some time the best players don’t always make
the best teachers and vice-versa—(just because you don’t recognize someone’s
name don’t dismiss their teaching potential). Lastly, don’t be afraid to take a few lessons
with several instructors and then decide which one is the best fit for you. A great teacher is one of the best investments
you can make in life.
MW: Thanks for sitting down with me today.
BB: My pleasure!
|